A Bit About Me
Growing up in the heart of Silicon Valley, I've always been passionate for art and technology - specifically where the two meet with respect to film and television. I pursued cinema theory and production in both my Bachelor and Masters degrees at Cal State Long Beach and USC School of Cinematic Arts respectively. For nearly ten years, specializing in editing and audio engineering, I've made a career in post production; starting as an editorial and VFX coordinator at an Emmy nominated studio and becoming a supervisor at renowned studios like DreamWorks Animation, Warner Bros, 20th Century Television, and Netflix.
Professional Experience
NETFLIX
April 2022 - June 2023
BENTOBOX ENTERTAINMENT
November 2020 - March 2022
WARNER BROS. ANIMATION
March 2020 - November 2020
DREAMWORKS ANIMATION
July 2017 - March 2020
PRODUCERS GUILD OF AMERICA (PGA)
May 2010 - June 2018
CBS TELEVISION
November 2016 - February 2017
BARNSTORM VFX
July 2015 - November 2016
Post Production Supervisor for the animated series My Dad the Bounty Hunter with producers Kathleen Zuelch, Patrick Harpin and Everett Downing.
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Managed post schedule and assets using Autodesk. Delivered assets for final delivery and platform release in coordination with Netflix post teams using PIX and Aspera.
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Post Production Supervisor for the series The Great North (Fox) and Central Park (AppleTV+) with producers Janelle Momary, Matt Kalmus and Tim Patterson.
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Managed schedule and retake budgets using Google Sheets.
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Oversaw artist timelines, and ensured vendor shipments with Aspera, Scenechronize, and Autodesk.
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Post Production Supervisor for the animated series Green Eggs and Ham (Netflix) under producers Jared Stern, Helen Kalafatic and associate producer Michael Baum.
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Created/managed schedule, anticipated needs of production for editorial, loop/ADR recordings, music and score. Prepped materials for screenings, color, mixing and awards.
Post Production Supervisor for Guillermo Del Toro's series ThreeBelow (Netflix) and Wizards (Netflix) with producers Chad Hammes, Lauren Prince and manager Catherine Lombardo.
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Created and managed the post schedule and anticipated needs of production for editorial, effects, screenings, color and mixing sessions and award packages.
Post Production Coordinator for manager Susanne Robbins and department director Scott McCarthy.
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Maintained collaborative relationships with international localization and dubbing partners while performing quality control checks on delivered materials via Aspera and PIX.
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Worked with IT to create an Autodesk pipeline to send/receive, track and secure assets per twenty six series.
Production Coordinator for producers David Hendrick and Barry Kaplan for PGA events like Produced By L.A.
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Managed exhibitors and sponsor booths in pre-production and during events. Managed office and event staff.
VFX Coordinator for post producer Debra Lovatelli and supervisor Steven Hornstein for The Good Fight (CBS).
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Anticipated VFX needs for production in New York as well as post vendors in Los Angeles. Created assets in Adobe Illustrator and After Effects to be used on set and for VFX.
VFX Coordinator under manager Giovanni Lovatelli and owners Cory Jamieson and Lawson Demming.
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Managed editorial pipeline for series, The Man in the High Castle (Amazon), and Silicon Valley (HBO) with Autodesk.
Education
2012 - 2015
Masters
University of Southern California
School of Cinematic Arts
Studied production and cinema theory at USC's School of Cinematic Arts. Graduated with a 3.9 GPA after completing my thesis as an editor on the film Olde E and sound design on the short documentary Deeper Than Black. Awarded the Dean's Scholarship and the Jack Oakie Scholarship for Achievement in Comedy Writing.
2005 - 2009
Bachelors
California State University of
Long Beach
Graduated with a 4.0 GPA, completing my 4 year degree in Film and Electronic Arts. Completed my thesis film, Lightlight with a grant from the Hollywood Foreign Press.
Shows & Studios
