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Matthew Zunich

Post Production Manager/Supervisor

Phone:

(626) 639-8518

A Bit About Me

Growing up in the heart of Silicon Valley, I've always been passionate for art and technology - specifically where the two meet with respect to film and television. I pursued cinema theory and production in both my Bachelor and Masters degrees at Cal State Long Beach and USC School of Cinematic Arts respectively. For nearly ten years, specializing in editing and audio engineering, I've made a career in post production; starting as an editorial and VFX coordinator at an Emmy nominated studio and becoming a supervisor at renowned studios like DreamWorks Animation, Warner Bros, 20th Century Television, and Netflix.

Work Experience

April 2022 - June 2023

November 2020 - April 2022

March 2020 - November 2020

April 2019 - March 2020

July 2017 - April 2019

November 2016 - February 2017

August 2015 - November 2016

Post Production Supervisor for the animated series My Dad the Bounty Hunter. Worked with producers Kathleen Zuelch, Patrick Harpin and Everett Downing. Managed the post production schedule and assets as they were received. Prepped and delivered said assets for final delivery and platform release in coordination with Netflix post teams for two seasons of television.

Post Production Supervisor for the animated series The Great North (Fox) and Central Park (AppleTV+). Worked for producers Janelle Momary, Matt Kalmus and Tim Patterson. Managed the post production schedule and budgets, anticipated production needs for editorial, managed teams of animators and their assignments for episode completion, and packaged materials for final delivery.

Post Production Supervisor for the animated series Green Eggs and Ham (Netflix). Worked under producers Jared Stern, Helen Kalafatic and associate producer Michael Baum. Created and managed the post schedule, anticipated needs of production for editorial, loop/ADR recordings, music and score sessions as well as materials for screenings, color, mixing and award packages.

 Post Production Supervisor for Guillermo Del Toro's series 3Below (Netflix) and Wizards (Netflix). Worked under producers Chad Hammes, Lauren Prince and production manager Catherine Lombardo. Created and managed the post schedule and anticipated needs of production for editorial, screenings, color and mixing sessions and award packages.

Post Production Coordinator for manager Susanne Robbins and department director Scott McCarthy. Monitored, QC’ed, and updated post pipeline for all shows for the purposes of international language dubs. Worked with DWA technology teams to develop automated Flow (Shotgrid) system for the sending/receiving, tracking and watermarking of all show and dub assets.

VFX Coordinator under post producer Debra Lovatelli and supervisor Steven Hornstein. Worked with editorial to anticipate VFX needs for production in New York as well as vendors in Los Angeles. Created on-set assets for phones, laptops and other screens, as well as composite assets for VFX.

VFX Coordinator under manger Giovanni Lovatelli and owners Cory Jamieson and Lawson Demming. Managed VFX pipeline for shows like The Good Wife (CBS), Outlander (Showtime), The Man in the High Castle (Amazon), and Silicon Valley (HBO).

Education

2012 - 2015

Masters
University of Southern California

School of Cinematic Arts

Studied production and cinema theory at USC's School of Cinematic Arts. Graduated with a 3.9 GPA after completing my thesis as an editor on the film Olde E and sound design on the short documentary Deeper Than Black. Awarded the Dean's Scholarship and the Jack Oakie Scholarship for Achievement in Comedy Writing.

2005 - 2009

Bachelors
California State University of

Long Beach

Graduated with a 4.0 GPA, completing my 4 year degree in Film and Electronic Arts. Completed my thesis film, Lightlight with a grant from the Hollywood Foreign Press.

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